[vc_row][vc_column width="1/3"][vc_single_image image="6003" img_size="medium"][/vc_column][vc_column width="2/3"][vc_column_text] The Architect’s brain: Neuroscience, Creativity and Architecture مغز معمار، کتابی نوشتۀ هری فرانسیس مالگریو است که در پارادایم علم نوپای عصبشناسی نگارش شده است. مالگریو از استفادۀ بیرویه از رایانه در فرایند آموزش معماری انتقاد میکند که سبب کاهش ارتباط بدن و دست معمار با...
Form is everything (some considerations on the creativity of form, literature, and hanging on a question: why ’the form’ creates the artwork?) | Milad Hosseini In a challenge between the form and the content, the quality of setting forth the content creates the form. The quality revives the subject in...
Architecture; from the mirror to the infinity... | Negin Najjar Azali The fluid nature and geometrical art of architecture make its perception more sophisticated. That is the real obstacle to the creation of a reliable method of criticism in architecture during history. This article with a glance at the school...
Genesis of Form; as An Integral Part of Design | Razie Fathi In the design process, each stage is a communication action in which concepts are transformed into other concepts for using in later stages. A comprehensive look at the related issues to the design process reveals that, in the...
Understanding formalism; a challenge between beauty and function | Interview with Vahid Ghobadian Form as a fundamental element of the architecture field is a thought that represents itself in style. In other words, form is the symbol of thought. The form can be challenging with past and present or harmony...
